“How can it be that a building captures the spirit of ‘unity,’ a sacred place, or command a prevailing silence without prompting? The interior space spirals upwards vortex-like culminating with the oculus within which is the inscription ‘O Thou Glory of the Most Glorious’. Seating orientates to Haifa and the Shrine of the Báb, the forerunner of Bahá’u’lláh…. But why do people flock to the Bahá’í Temple? Is it the garden, planted with native species and lovingly cared for by volunteers, or the view over Santiago and remarkable sunsets, or the curious object set against the mountains? The Temple is the anchor…At night, the opacity of the cast glass outer skin, and the translucency of the Portuguese marble inverts, and the dome appears to glow ethereally from the inside…. The Temple has not only afforded a focus for the Bahá’í community but in their commitment to ‘service’ also for the neighbourhood and its well being,” writes former President of the Royal Institute of British Architects and member of the Jury, Stephen Hodder.
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